I first met Stolen Rhodes back in 2011 at the first Liberty Music Festival in Philadelphia. It took a few concentrated listens, but once I understood the influential battle cries of reviving a style ignored by popular music, I became quite interested in the band. I covered their second release, Falling Off The Edge, and based off of that initial meeting, and offering of recorded music, I become a fan of their sound. Flash-forward to the summer of 2014 as we once again conversed on the group’s progress. That resulting conversation included Stolen Rhodes handing me their latest disc,…
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