Eryn Shewell has been doing her own thing for as long as I can remember. If there was ever a theoretical situation where a bunch of musicians would be hanging out in a group, inevitably there would be Shewell, off in a corner with her own group of people. As far as being part of the scene, she’s always remained distant from the broader-based bunch, and I understand why.
Ever since she released Window Pane in 2008, Shewell has evolved in a quick and logical manner, shedding stylistic skins in an effort to end up where her latest self-titled…